5/18/2023 0 Comments Marking Melody by R.E. Butler![]() ![]() Implications for current theories, future research, and the relationship between music perception and melody identification are discussed. The data suggest that melody identification is a holistic, all-or-none process and that parallels can be drawn between melody and spoken word identification. As well, identification peaked after listeners heard moderate amounts of information (i.e., 5–7 notes). ![]() Identification was most strongly associated with notes located at phrase boundaries, notes that completed alternating sequences of rising and falling pitches, and metrically accented notes. Books shelved as author-reece-bulter: Marking Melody by R.E. Multiple regression analyses determined which musical characteristics predicted identification performance. In Phase 2, each note of the melody was analyzed along a variety of musical dimensions. ![]() In Phase 1, the participants heard familiar melodies that were played on a note-by-note basis until they were identified. What information do listeners use to “Name that Tune”? This question was investigated in a two-phase experiment. ![]()
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